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The Informers

In such works as “Less Than Zero” and “American Psycho” Brett Easton Ellis brilliantly dissects contemporary American society, a culture in which too much is never enough. Now, adapting his own acclaimed novel for the screen, he returns to the Los Angeles of the early 1980’s with a multi-strand narrative that deftly balances a vast array of characters who represent both the top of the heap (a Hollywood dream merchant, a dissolute rock star, an aging newscaster) and the bottom (a voyeuristic doorman, an amoral ex-con). Connecting all his intertwining strands are the quintessential Ellis protagonists-a group of beautiful, blonde young men and women who sleep all day and party all night, doing drugs-and one another-with abandon, never realizing that they are dancing on the edge of a volcano. Filmed with uncommon glamour and grit by acclaimed Australian director Gregor Jordan (“Ned Kelly,” “Buffalo Soldiers”), “The Informers” is an alternately blistering and chilling portrait of hedonism run amuck.